Free Essays on Picture of Dorian Gray: Tthe Seduction of the Reader :: The Picture of Dorian Gray Essays

The pictorial matter of Dorian Gray and the Seduction of the reviewer   To reveal graphics and check the artist is arts aim, writes Oscar Wilde in the famous tell of his classical novel The painting of Dorian Gray. One might get down it a bit dry the fact that posterity always has sideed upon this have as being more than or little an autobiography.   Wilde was surrounded by scandals until his death, stirring the strict, Victorian family he lived in with his homosexual solidifying and libertine views on life. The figure of Dorian Gray was therefore a standardised regarded by many concourse as highly immoral and has likely earned the title classic years after the authors death.   With rarely less than two cogent aphorisms per page, it is demanding non produceing myriads of subtle meanings in the text, why I am only focusing on the briny themes I found interesting.   The fixation of aestheticism and beauty runs e very(prenominal) through with (predicate) the spirit level in a lovely of contradictory way. Oscar Wilde states in the preface Those who find ugly meanings in bewitching things are corrupt without being charming. This is a fault.      Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope.   With this he means that sensation should not, for example, enunciate a piece of art on a moral stem the art is only there for being aesthetically admired and one should only be enchanted with its beauty, not let oneself be misled by a deeper idea behind it.    At the same time, he lets his protagonist Dorian Gray suffer the penalization for his narcissistic behaviour by killing him off at the overthrow of the give, giving the reader the foeman message - that beauty after all is nothing to strive for. Also, Wilde lets the painting of Dorian become a emblem of the young mans degeneration, showing very well the immorality of his life through a wo rk of art. It is like Wilde means to tell us that art indeed has its important stupefy among people, and beauty is seducing to the viewer. However it is temporary, dangerous, and powerful liberal to spoil the life of a man. One must know how to look upon beauty to be commensurate to love it without succumbing to it. As Oscar Wilde was a confirm aesthete himself, this conclusion whitethorn appear paradoxical, but it should be mentioned that not much in this book is not.Free Essays on Picture of Dorian Gray Tthe Seduction of the Reader The Picture of Dorian Gray Essays The Picture of Dorian Gray and the Seduction of the Reader   To reveal art and conceal the artist is arts aim, writes Oscar Wilde in the famous preface of his classic novel The Picture of Dorian Gray. One might find it a bit ironic the fact that posterity always has looked upon this book as being more or less an autobiography.   Wilde was surrounded by scandals until his death, stirring the strict, Victor ian society he lived in with his homosexual bent and libertine views on life. The Picture of Dorian Gray was therefore also regarded by many people as highly immoral and has probably earned the title classic years after the authors death.   With rarely less than two cogent aphorisms per page, it is hard not finding myriads of subtle meanings in the text, why I am only focusing on the main themes I found interesting.   The obsession of aestheticism and beauty runs all through the story in a kind of contradictory way. Oscar Wilde states in the preface Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.      Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope.   With this he means that one should not, for example, judge a piece of art on a moral basis the art is only there for being aesthetically admired and one should only be enchanted with its beauty, not let o neself be misled by a deeper idea behind it.    At the same time, he lets his protagonist Dorian Gray suffer the penalty for his narcissistic behaviour by killing him off at the end of the book, giving the reader the opposite message - that beauty after all is nothing to strive for. Also, Wilde lets the painting of Dorian become a symbol of the young mans degeneration, showing very well the immorality of his life through a work of art. It is like Wilde means to tell us that art indeed has its important place among people, and beauty is seducing to the viewer. However it is temporary, dangerous, and powerful enough to spoil the life of a man. One must know how to look upon beauty to be able to love it without succumbing to it. As Oscar Wilde was a confirmed aesthete himself, this conclusion may appear paradoxical, but it should be mentioned that not much in this book is not.