Wednesday, September 25, 2019
Portfolio writing Essay Example | Topics and Well Written Essays - 1000 words
Portfolio writing - Essay Example Dreamy images in my work are portrayed as a paradox between realism and idealism. The realism associated with the harsh and pleasant realities of life and human nature are expressed subliminally and submerged with idealism. These moments of pleasure are dreams, not escapist fantasies, that allows for transition through lifeââ¬â¢s pitfalls. It perpetuates hope, segregating it from the reality of lifeââ¬â¢s journey. It gives life meaning and the themes ââ¬Ëdreamsââ¬â¢ and ââ¬Ëhopesââ¬â¢ articulate the meaning of life in my work. I spent my teen and adolescent years in foreign countries as well as completing my bachelorââ¬â¢s and masterââ¬â¢s programs in the UK where I majored in Fine Arts (painting), all the while yearning for Korea. I have always remained nostalgic about Korea and drawn to the spiritual art of the Orient. These passions for Korea and the spiritual art of the Orient greatly influences the work that I produce. Upon returning to Korea, I incorporated the speculative spirit of ââ¬Å"lineâ⬠commonly used in Oriental art (linear art that frequently characterizes Oriental art) into my painting, photography and installation. Remaining true to this tradition, I also introduced into my work, condensed symbolic expressions which I am endeavouring to apply to medium in a variety of genres. Consistent with this approach, I have utilized experimental expressions of formative art and continue to do so. By taking this approach I have capitalized on a number of different ways to use art medium for creative expressions. I have a preference for stab painting over traditional application of paint to canvas. I also represent images from my memory by virtue of a combination of stab painting and repetitive lines. By taking this approach I am able to reflect a repetitive cycle through the object painted. These painting methods permits a unique connection to the world that I am creating by allowing me to become more intimately connected to the brush. While my
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