In What Way Does The Final Scene of Act 1 Demonstrate Dramatically The

In What Way Does The Final Scene of turn 1 register Dramatically TheTensions Between The Characters Which Will Lead to Tragedy?The last chance of Act 1 in Arthur moth millers A View From The Bridgedemonstrates dramatic tension in a variety of different ways. It is do fairly clear from the final moments of the act when Alfierireturns to the stage that the wanton allow end in tragedy. Miller showsthis through dialogue between the characters and in the plentifulstage directions with which he liberally sprinkles the text. There isa range of conflict apply in the scene. The central conflicthowever, involves Eddies unacknowledged jealousy towards Rodolfothis is the strongest.The above affray is clearly visible when Eddie goes to visit Alfierifor the first time. He makes insubstantial claims more or less Rodolfossexual persuasion without ever calling him a homosexual. Eddie assertsto Alfieri that the guy aint slump and that he aint no tenor. Hecontinues by adding that if one was to preface a room when Rodolfo wassinging, you wouldnt be looking for him, youd be looking for her.He is incredulous that there is no recourse in the law that allowprevent Rodolfo, a submarine or illegal immigrant, from marryingCatherine.When he leaves Alfieris office, Eddie has make it clear he wouldnever betray the cousins. Nevertheless the audience is made to feelthat he may yet take the recurring motion of personal justice into hisown hold, if not by informing the governing of their illegalpresence in the country, then by some opposite means. This is shown bythe extent of Eddies anger when he says hes stealing from me and heputs his filthy hands on her like a goddam thief. Miller conveys th... ... the characters that will head for the hills totragedy through the way he very carefully structures the play so thatthe central tension, Eddie versus Rodolfo, increases as the actionunfolds. This is true of the minor tensions too, e.g. Beatriceversus Eddie. The tensions themselv es are make up by the pithydialogue and the meticulous stage directions, e.g. friction his fistsinto his palms diverting their attention he senses he is exposingthe issue and he is compulsive on. Miller mimics Greek tragedy with achorus - Alfieri - who comments on the action. Alfieri does this jobwell and is constantly hinting at the tragic ending he knows is goingto unfold. Ironically, after the first few scenes the audience realisethat Alfieri was decline at the beginning and the play is going to endin tragedy. How it will come about is still unclear at the end of Act1, however.